Archive for January, 2009

The Philadelphia Inquirer’s Final Frazzled Days

All big-city newspapers have been hurt by the rise of the Internet, declining ad sales, and an economy gone south. But the brain trust at the Inquirer and Daily News has a deeper problem: They think we still need their papers to find out what’s going on

BY STEVE VOLK

IN THE HEADY early days after Brian Tierney’s ownership group purchased the Philadelphia Inquirer and the Daily News in 2006, one of his new employees saw him walking up Broad Street toward the paper’s headquarters. Tierney wore a mobster-loud pin-striped suit and chomped on a cigar so thick his mouth barely encompassed its girth. A cigar is, of course, never just a cigar. It’s a symbol of success or pretension to it, of a new baby born or a World Series won. Tierney appeared to have earned his cigar. In becoming the co-owner, publisher and CEO of this city’s newspapers, he had won a competitive bidding war and acquired more than just a business. Much more. “It’s legacy-building time,” he told reporters, thus conjoining the fate of the papers and his own life’s work.

Tierney offered himself up as The Man Who Would Save Philadelphia’s Newspapers at a tumultuous time. In the years just before he purchased the Inquirer and Daily News, frequent cost-cutting had become the industry norm. Employees, mostly reporters, were shed like unwanted fat. Revenue was in free fall. Philadelphia’s papers earned the Knight-Ridder chain a $100 million profit in 2004 but only $76 million in 2005, and were on course for just $50 million when Tierney purchased them the next year. But Tierney is a former advertising and public relations executive, and words like “decline” and “fall” aren’t part of his vocabulary. And so the savior walked into the Inquirer building speaking not of retrenchment, but of expansion. He said local ownership would provide an antidote to the toxic requirements of Wall Street, which demanded ever-increasing profits. And when he first took to a podium in the Inquirer building, he made a particularly grand promise: “The Next Great Era in Philadelphia Journalism,” he said, “begins today.” Legacy time.

Now, less than three years later, it’s all gone to hell. Circulation has fallen. In early 2008, Tierney warned union representatives of “a dire situation” if costs weren’t cut by 10 percent. The papers have slashed more than 400 staff members across all departments since he took over. According to Newspaper Guild representative Bill Ross, Tierney once shook up a management meeting by barking “I will not lose my fucking house over this!” And Ross says a couple of people emerged from a private meeting with the CEO claiming that he’d spoken to them, in his 12th-floor office, with a baseball bat in his hands. Ross also adds that in January, Tierney took to patrolling the parking garage, watching to see what time employees were arriving to work and asking managers about those who were late. “That’s what I’m getting calls about now,” says Ross. “He’s walking around the parking garage. If he gets hit by a car, it’ll be his own fault.” Tierney’s ownership group, Philadelphia Media Holdings, stopped making interest payments to its creditors over the summer. Thirty-five further editorial layoffs were announced in December. No one knows what tomorrow will bring — except that some tomorrow could mark the end of Philadelphia’s newspapers.

Read the full story here.

Photo-illustration by C.J. Burton from the February 2009 issue of Philadelphia magazine.

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As Seen on Today: Becky Fawcett and HelpUsAdopt.org

In 2007, Philly natives Becky and Kipp Fawcett started the nonprofit HelpUsAdopt.org. The five-year journey that led them there, and to their son Jake, has them fighting to change the face of adoption

BY JENNA BERGEN

THERE’S NO PAYMENT plan for adoption. That’s something Becky Fawcett found out as she sat across from her lawyer in his Doylestown office, looking down at the estimate he’d written on the page: $35,000. Becky, then 35, had already spent $82,000 on five in vitro attempts, her womb refusing her most basic, human desire: to carry a child. To have a family.

Thirty-five thousand dollars.

“What if I don’t have it?” she asked the lawyer, her face blank, calling his bluff.

He shrugged, resigned to telling this woman what he’d had to tell countless others. “You could take out a double mortgage on your house, cash in your 401K. You could put it on credit cards. …” He looked at her left hand. “That’s a nice engagement ring. You could sell it. Or you could live a childless life.”

Even though she and her husband, Kipp, had the money, the words hit Becky hard. How lucky I am, she thought, the last finely woven thread that held her together starting to unravel as she suddenly imagined all the people who didn’t have that kind of cash — a financial roadblock putting an end to bottles and birthday parties and college graduations. Appearances forgotten, she put her head down and cried.

Read the rest of “A Cause to Adopt.”

Photograph by Erin Patrice O’Brien from the Feburary 2009 issue of Philadelphia magazine.

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Andrew Wyeth’s Last Interview

Renowned Philadelphia-area artist Andrew Wyeth died this morning at the age of 91. In May 2008, Philadelphia magazine senior writer Matthew Teague spent days with the extended Wyeth family at their Chester County compound, including an almost unprecedented full day with Andrew that comprised his last public interview.

Having just finished a painting — a watercolor called Stop (pictured here) that might be his last completed work — Wyeth was ebullient, almost boyish (dressed, in fact, in a Robin Hood costume), as he discussed how his own past and the region’s past fused in his technically brilliant but melancholy art:

[F]or a long time, one particular acknowledgment eluded him.

“Why did it take the Philadelphia museum 90 years to give me a show?” he said, referring to the recent “Memory and Magic” exhibition of his work. He gripped the edge of the table and quivered his arms. “Ninety years! I was barely holding on!”

Philadelphia being Philadelphia, the city’s purveyors of art seemed fraught with the endemic sense of inferiority: If it’s local, it can’t be that good. So Andrew Wyeth waited while the city first perused Edvard Munch, Salvador Dali, Warhol. It didn’t help that some people perceive illustration — the stuff of Howard Pyle and N.C. Wyeth — as inferior to pure painting. “I think it’s hard for them to discriminate between that and the type of painting that I struggled to do, expressions of emotion and things that happened around me,” Andrew said, “whether it’s the death of a dog or a light on a branch or a leaf on the ground. Which is a very personal thing.”

Read the full story, Wyeth’s World, in our archives.

Photograph by Peter Ralston, from the August 2008 issue of Philadelphia magazine.

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